FROM HANDS TO THOUGHT ENERGIZING YOUR AURA
NOTHING AND EVERYTHING THAT SEPARATES THE PHYSICALITY
QUANTUM PHYSICS AND ASTROPHYSICS AS LIMITS
CONCEPT, MIND AND HEART
In front of you you are constantly and constantly you, but also in lines, curves, particles and waves. Perhaps you have never thought of a drop of water which, by crushing the surface of a liquid, generates an inelastic and elastic collision at the same time. That drop generates others that rise upwards against opposing forces, and then in turn fall back into the fluid. The paradigm, between a hexagonal prism and a water particle, is a concept oriented towards the universal vision of the elements. The painting in this quadrant wants to express the birth of ideas, their intersection and their spiritual matrix.
The painting reacts in the other quadrants with different curves, waves and geometries that trigger a visual mechanism aimed at contemplating a whole series of ideas that arise in an ideally structured way. On the opposite side, at the top left, there is a cusp geometry, broken, worn, but which generates the fall of another cooled fluid. The metal alloy molten at 1300 degrees, is released under the black concrete block, and cooling, gives life to a solid, resistant and dense architecture. This opposition of elements determines forces of great energy. Fluidity and static, contemplate the plasticity of the mind, from which silver and graphite signs derive that ideally and indirectly can represent objects of daily use, through which a man or a woman can tune into the individuals closest to their essence.
Bronze, with gilded liveries and scratched by hypothetical trunks of sinusoids, are the surrounding and present matter that allows everything to exist. This painting is a complex gift for a unique event. The first communion of my Son.
My vision of the sacrament does not want to replace the same, but represents the human limit, as well as his genius, in relation to the universe, contemplated in the image and likeness of transformed interactions between me and the divine.
Every observer, after having understood the three-dimensional matrix of the painting, can ... and is allowed, look for geometric shapes and colors that represent part of his imaginative thought.
What do you see now that you have such precise references?
Four quadrants can be seen on a Cartesian plane, or swarms of nanoparticles aggregated and structured according to complex fibers or functions. Myself, every time I look at it from a different perspective, I can see new relationships between the forces at play ... as if the image is constantly changing.
This evolution is between my vision and your ability to use the eyes as transducers and the brain as necessary tools for the mind to renew itself.
The limits that I have imposed are the same limits that a human being has with respect to phorons, electrons, quanta, supernovae and white dwarfs. The compression of space determines an area of linearity of thought over time.
Creator, Inventor, Artist: